![]() Some urban legends are morality tales that depict someone acting in a disagreeable manner, only to wind up in trouble, hurt, or dead. The compelling appeal of a typical urban legend is its elements of mystery, horror, fear, or humor. Many urban legends are framed as complete stories with plot and characters. Brunvand used his collection of legends, The Vanishing Hitchhiker: American Urban Legends & Their Meanings (1981) to make two points: first, that legends and folklore do not occur exclusively in so-called primitive or traditional societies, and second, that one could learn much about urban and modern culture by studying such tales. ![]() Jan Harold Brunvand, professor of English at the University of Utah, introduced the term to the general public in a series of popular books published beginning in 1981. The term "urban legend", as used by folklorists, has appeared in print since at least 1968, when it was used by Richard Dorson. Generic urban legends are often altered to suit regional variations, but the lesson or moral remains majorly the same. Some urban legends have passed through the years/decades with only minor changes, in where the time period takes place. This includes newspapers, mobile news apps, e-mail, and most often, social media. Urban legends in the past were most often circulated orally, but now can also be spread by any media. Urban legends may confirm moral standards, reflect prejudices, or be a way to make sense of societal anxieties. These legends can be entertaining but often concern mysterious peril or troubling events, such as disappearances and strange objects or entities. near where the first hatchet attack occurredĪn urban legend (sometimes contemporary legend, modern legend, or urban myth) is a genre of folklore comprising stories or fallacious claims circulated as true, especially as having happened to a "friend of a friend" or a family member, often with horrifying, humorous, or cautionary elements. Potato Head can provoke a moral panic).īilly Eichner, however, isn’t backing down from the culture war in another tweetstorm, Eichner vowed to “continue tweeting about Bros every day for the next year just to spite” all the haters.Colchester Overpass, also known as the " Bunnyman Bridge", outside Washington, D.C. ![]() Interview With A Vampire premiered recently on AMC, bringing Anne Rice’s homoerotic subtext to the surface.īros might have “triggered” right-wing culture warriors and trolls, but nowadays, that really isn’t hard to do (hell, the latest Buzz Lightyear movie sparked an absurd backlash over a split-second same-sex kiss even Mr. Not to mention, television is lightyears ahead when it comes to LGBT representation HBO paved the way for sophisticated, diverse storytelling long ago - Six Feet Under premiered back in 2001, and showcased several queer storylines, with depth and nuance. The big screen is the place to watch Avatar, while Bros can be watched in the comfort of home (the film will likely have a stronger performance when it arrives on steaming). When it comes to film and television, viewers are spoilt for choice, with good entertainment set-ups at home, expensive trips to the theater saved for spectacle and awe. After all, audiences showed up for Moonlight, and Brokeback Mountain maybe Bros just didn’t appeal to cinemagoers.īros might be groundbreaking for a romantic comedy, but it's just a romantic comedy, one without much in the way of star power, and rom-coms simply don’t light up the box office the way they used to the genre is now associated with a lazy night in front of Netflix. Homophobia might have contributed to the damp performance at the box office (the film was also subjected to a review bombing campaign, seemingly sparked by bigotry), but that doesn’t tell the whole story. But is showing up to a movie something people are obliged to do? We’re talking about movie tickets here, not voting ballots. The entertainment industry is embracing representation and courting wider demographics, and that’s undeniably a positive step forward.
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